
Route 66
2022
Edition of 12
Archival Pigment Print
132 x 163 cm
Edition of 12
180 x 226 cm
Edition of 12
View more artworks by David Yarrow
About the work
Route 66
America is the home of the road trip, and Route 66 is its poster
child. Evoking images of roadside motels, diners and 1950s
Cadillacs, the Mother Road will always be a symbol of America’s
post-war freedom and geographical mobility. While much of the
road has either disappeared or been supplanted by interstate
highways, good sections do remain, so in the autumn of 2022 I
began scouted for locations in California and Arizona that were
emphatically Route 66. With so many motels and diners abandoned
or turned into kitsch tourist attractions, finding a set that was
both authentic and operational seemed mutually exclusive. Then
I stumbled upon the town of Holbrook, 100 miles east of Flagstaff
in Arizona. There are some real gems in this small town, and none
more so than the Wigwam Motel, right next to Route 66. We went to
see the owner and he agreed to allow us to film in the courtyard out
front. It was perfect. To embody the glamorous 1950s look, I chose
Josie Canseco, who got the vibe straight away. This photograph
is as good as I could have imagined when I started exploring the
creative concept.
child. Evoking images of roadside motels, diners and 1950s
Cadillacs, the Mother Road will always be a symbol of America’s
post-war freedom and geographical mobility. While much of the
road has either disappeared or been supplanted by interstate
highways, good sections do remain, so in the autumn of 2022 I
began scouted for locations in California and Arizona that were
emphatically Route 66. With so many motels and diners abandoned
or turned into kitsch tourist attractions, finding a set that was
both authentic and operational seemed mutually exclusive. Then
I stumbled upon the town of Holbrook, 100 miles east of Flagstaff
in Arizona. There are some real gems in this small town, and none
more so than the Wigwam Motel, right next to Route 66. We went to
see the owner and he agreed to allow us to film in the courtyard out
front. It was perfect. To embody the glamorous 1950s look, I chose
Josie Canseco, who got the vibe straight away. This photograph
is as good as I could have imagined when I started exploring the
creative concept.