My paintings inhabit tranquil, sun-soaked environments suspended between luxury and lived experience. They are not fixed locations, but moments held in delicate balance.
An afterglow lingers in these scenes, the warmth that remains once laughter has quietened and the day begins to soften. Assembled from fragments of memory and desire, the spaces feel instinctively familiar, as though recalled rather than simply observed.

‘Sun Dazed’, my fourth solo exhibition with Maddox Gallery, marks a gentle evolution in this visual language. Where earlier works used figures to articulate narrative and human presence, these paintings allow that sense of life to surface more obliquely. Faces seem to suggest themselves within architectural rhythms. Objects incline toward one another in silent exchange. An inflatable crocodile and scattered beach balls carry the exuberance of children lingering by the pool’s edge. Chairs gather as if mid-conversation over a Negroni in late afternoon light. Snorkels hang side by side, almost canoodling as they dry in the sun.

Though no figure appears, a human trace is felt in posture, proximity and placement. The scene holds a subdued vitality, as if paused in the final moments before movement resumes. Saturated colour and a measured perspective allow the eye to settle and absorb the whole. In this compositional stillness, time becomes perceptible, warmth cooling, light thinning, a gathering already receding into recollection.

Here, life exists in suggestion. The works invite the viewer to inhabit the space, to recognise their own memories in its calm, and to feel the quiet poignancy of a moment suspended just before it fades.