It has taken many years to capture a photograph strong enough to be worthy of the name Breaking Bad. An epic, game-changing series, anything that borrows the name must be visually appropriate as well as eye-grabbing and powerful. I had long sensed that the concept of filming with Cindy Crawford in a Californian biker bar had potential, especially if the bikers had a palpable sense of menace and trouble. I knew that she could hold her own playing a bad ass and there could be unity across the ensemble, irrespective of the apparent rogue member. I need a collective, not six or seven individuals.The interior of Joshua Tree Saloon offered a great canvas on which to paint this story. I required as much information in one frame as possible, and this demanded that I use width rather than height. When I saw the result, I sensed I had my Breaking Bad shot. There is nothing I would change in it, and I think Bryan Cranston et al would feel rather at home in this saloon. There seems little appetite for cultural refinement or mundane conversation.It is always a privilege to work with Cindy. She absolutely smashed it and now we have the long sought-after picture