Daniel Yergin’s acclaimed 1992 Pulitzer winning book - The Prize - told the story of the petroleum industry from 1850 to 1990. With enough insight to satisfy the scholar, it was his narratives on the colourful personalities in the history of oil that captured the interest of the public. The early days of oil were a treasure trove for storytellers. Film makers such as Paul Anderson with There will be Blood and Martin Scorsese with Killers of the Flower Moon homed in on the nascent US oil production industry before and after the First World War. Both films focus on the dangers of avarice and the pursuit of wealth in thinly governed frontier towns. Scorsese used my Texas buddy, Ty Mitchell, as a bad guy in Killers of the Flower Moon, and I knew I wanted him on set. My plan was to use the base of the derrick in West Texas as a platform on which to parody those early days of wildcatting. I asked Texas local Roxanna Redfoot if she minded getting soaked in oil, partly because I knew she would say “bring it on”. A huge credit goes to the four Texans for what they went through for this photograph. It certainly has the wow factor